a - side: i love my lady (the black bahia version) ashley reworks an unreleased collaboration between chic and lounge legend johnny mathis. what ?!!!! this has summer anthem written all over it. beedle waves his magic wand over this future classic beach groove to create a joyful sing-a-long. b - side: addis ababa (afrikanz on marz kosmik rework ) ashley and his musical partner darren morris add their trippy aom vibes to this rare studio one classic to create an afro/reggae/drone/psychedelic monster. it pulls you in and does not let you out. this is an essential rework for all the true heads out there.

theres 8 million stories in the city & if you are in the know, theres a refreshing movement of bodies several stories above the manhattan street bars & clubs in secret lofts & apartments. one of these re-occurring parties & djs providing the backbone sound is sid vaga of rolands six degrees parties. after over 10 years of heavy dancefloor smashing, he gets in the studio to make some of his own sounds. side a is his original latin brazilian house signature sound filled with percussion, funky bass & the straight driving backbeats for a good party starter. side b goes a notch deeper & heavier as d*sol from paris remixes with additional electronics & moodier sounds to balance the 12 inch for early & late-night dance-floors.

at circus company we are proud of all the performers we have nurtured over the years, from the rapid success stories to the slow-burning talents. each one has displayed their own unique studio acrobatics and musical magic from their first appearance in our big top, but even more rewarding is the chance to watch them blossom from performance to performance. if there is one artist in our family that displays this concept the best, it is the quiet russian, oleg poliakov

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

sechs ausgesuchte exklusive versionen von tracks des album >reggae music again< (vpcd1953) im showcase style = extended version - vocal & dub! aufgenommen im tuff gong studio & penthouse studio und abgemischt vom legendären errol brown - limited!

introducing black orange juice for 2012 … a cosmic crew of dance floor saviours. nomads of the musical galaxy who are crazy in love and love craze. brought together by ossie of hyperdub records fame. his >tarantula< track was selected in the fact top 50 for 2011, not forgetting the awesome joe goddard >gabriel< remix for greco roman which took his sound to another level and which won him fans the world over… the all singing black orange juice, found it’s sweet spot when ossie recruited two of his closest compadres, paul black and orial, partners in crime with a history of gospel choirs, r&b quartets and lending their vocals to some of londons finest underground heros. they blend the best elements from the uk undergound with a nod to the talents of roska, jamie jones, scratcha dva and mosca, and a wave to those infectious vocal-house sounds reminiscent of hercules and love affair and azari & iii. the sound is both unique and dangerously infectious…

part 1/3! the treibgut sonder kompilation consists of tracks by artists which played at the treibgut parties over the last five years. the opening track is the perfect warm up for listening to this compilation. chris established an ideal symbiosis of a smooth bass and a warm vocal line quickening your appetite for more. a groovy funky filtertypen track as we love it. you can spot their hip-hop roots in the vocal parts. the tight kickdrum contributes the uplifting punch making this track defintely a dancefloor tune rather than a warm up. a groovy piece of house music with a spherical break and a deep bassline for our brothers and sisters. this is a slip- proof track with a catchy vocal – definetely causing fun. deep, warm and drifty – this track is putting you in the perfect mood for enjoying sunset in the meadows or warming up at the club. if you cant let go and relax with this track you are probably a hopeless case.

its been a while since we have seen a release from dfrnt for on the edge, but im proud to announce, the wait is finally over! this ep provides us with an abundance of different flavours, but still retains the genius sound that is dfrnt at the very core of every tune. let me first draw to your attention to >the big freeze<. its a drum and bass track that has been moulded like a true pro. it sounds like dfrnt has been producing d+b for a long time with the finishes on this track, but believe its one of his earlier efforts. its a refreshing bpm for his take on electronic music and hope to hear more of the same from dfrnt soon. then dfrnt shows us what he is all about when he goes all out 4x4. a dirty, gritty techno roller (with a skip) that will blow your socks off! love the production on this one. then we have >monday morning<. this does exactly what it says on the tin, just the type of tune you need to bring you down after a heavy weekend. as though that wasnt enough, there is a 170 remix from man of the moment, indigo! support comes from: hatti vatti, synkro, versa, mary ann hobbs, kissy sell out, fused forces, loxy, dj rum, 501 and truth to name a few.

dekmantel proudly presents the return of vedomir to their imprint – with nothing less than a full length album this time!
mister karpenko was responsible for one of the most in demand dekmantel releases to date (picture of you ep), so this artist album is the next inevitable step. the ukraine-based producer shows he is getting more mature with every release, delivering a comprehensive artist album that crosses over genres easily.
ranging from downtempo, almost jazz-like slowburners to haunting chicago house with a true analog feel, and from dark electro stuff, to the beautiful ambient soundscape: this record is a piece of stunning musical versatility.

eshu records returns, after a succesful first release, with a 4 track ep that shows the many sides of the techno spectrum eshu records admires. an excellent selection with tracks from mattias fridell, tomas rubeck, myles serge and imugem orihasam. a nice list of talented up and coming producers from all over the globe (sweden, detroit, uk, germany). smoking techno tracks with influences from detroit techno, duuby berlin sounds and more straight forward club bangers. worth the check!!

rising visionquest stars footprintz cover raid over moscow on turbo s first ever seven-inch release. featuring a remix by ewan pearson.

we are happy to report, after a short hiatus ray mang and his incomparable mangled label are back! his recent disco deviance release was more than enough to remind everyone what they d been missing, but here we have a fresh new mangled release - filled to brim with rays unique take on lost classics.
mangled has been a benchmark for quality edits since the late 90s, and with renewed interest in dance musics heritage, ray has found himself back at the forefront of a scene he was instrumental in forming. having been behind a plethora of releases on cult nu-disco labels like noid, fiasco, u star, nuphonic, eskimo etc etc over the years he has cemented his reputation as an amazing producer in his own right as well a studio engineer extraordinaire for the likes of the idjut boys, glimmers & many more.

vessel returns to left_blank with 3 tracks of mind bending house & techno for the labels 5th release. after inaugurating the label almost a year ago with his critically acclaimed nylon sunset ep, vessel aka sebastian gainsborough went on to release a sold out split cassette with fellow left_blanker el kid, and a stunning digital only set for a future without. as a result of this the all conquering tri angle records snapped him up in early 2012 to release his debut album. this eps title track standard spans the length of the a-side: 5 minutes of low-slung, smacked out death disco, coming over like john carpenter meets newworldaquarium, pure valium vibes. merge on the b-side is positively sprightly in comparison, all rattling and metallic before a drop at the halfway point brings a welcome dose of detroit influenced machine funk. zero closes the ep in abstraction, whirring and stumbling along while showcasing sebs intricate sound design, a teasing glimpse at what is in store for his album later in the year.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

as the story goes ame & dixon heard osunlade play envision out in america, were completely bowled over by it, rushed the dj booth and immediately asked to remix and release it. they did and it turned out to be quite possibly the biggest record of 2011. to coincide with the release of the osunlade in the house compilation defected have re-released the record with brand new remixes ensuring that this summer will be once again dominated by the vocal sounds of envision. argys vocal and dub take things into classic mid 90s new york-esque territory, garage sounding bass line, looped vocal intro… if you didnt know any better youd be forgiven for thinking that was from the hand of a certain mark kinchen

the dream of another way, red light on her skin, smoke and sensuality in the air, broken promises and a mans embrace. born out of east london’s underground party, love fever records seeks to encapsulate the intensity of a+as late nights and early mornings. over 3 years of pioneering and party providing has seen love fever grow from a word of mouth disco in a dalston loft, to the party for the musically aware, and adult orientated mincers of london and beyond. warehouses, strip clubs, art gallerys and photographic studios have been transformed with many of the true disc jockeys in electronic music joining alex & andy to push the boundaries. a sound has emerged, cross genre, with a heavy leaning on sleaze, elitist house and romantic techno to create a pornographic energy.

with the wait almost over for jamie jones second artist album >tracks from the crypt< crosstown rebels get set to drop the absolutely massive single >our time in liberty< featuring cult dance outfit art department. a bassline symphony for the senses, this elusive slayer of dancefloors, is finally getting a release alongside a heavy-duty remix from comrade russ yallop.

we all love our furry friends dont we? when it comes to beretta grey, sometimes its the more the merrier. strength in numbers-taking in strays and raising up stallions.
this time we dug deep to find seth yender and his bring me joy ep. our newest slab of wax features only the finest detroit-inspired techno & house. his proximity to the beretta crew and the motor city lends the grit to the a side bring me joy - its a warehouse kinda vibe we almost just forgot about.

umek teams up with uto karem for the burning hot >crossing the lines<, backed up with a huge remix by ramon tapia. flip over for more first class musical therapy by marco bailey and ant brooks.

orphx, one of the main leaders of the industrialized techno movement returns to sonic groove with their latest new 12 inch >hunger knows no law<. delivering the goods once again to sg. orphx combines a mixture of tightly woven, deeply & bleepy hypnotic sound designs layered over fierce industrialized drum rhythms. electronic hypnosis for the dance floor. as was the case with their previous sg releases this one is sure to be played many a top techno ddj. >hunger knows no law< is being timed for release with orphxs european live show tour early this spring. along the tour will they will make their debut at the legendary techno mecca in berlin, berghain.

the german based label kitty corner records turns back the wheel and starts a new series of fresh experimental techno music. the opening track hachzem from bristols kanji kinetic comes with storming mutant basslines and rave stabs collide over a thumping techno beat. for battle creek brawl rrritalin and cynthia stern take it back to 92 with pitched up rap vocals over a prodigy style breakbeat hardcore track.spacefaces hands of a lunatik is frenetic and crazy wonky techno, while lukes anger rounds off the ep with the robotic 909 warehouse beats of throwing switches.

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.

for the boxer jubilee, we have organised a top-class heavyweight fight: martin eyerer, head of kling klong, and florian meindl, chief of flash recordings, have entered into the boxing ring for a two-round title fight: in the first round, >the rush< — supported by tactical advice given by the trainer — is a fast and merciless series of left jabs followed by sappy, powerful uppercuts and hooks that leave the opponent completely unprotected. gong after a short break, the referees gives the command box, and the showdown starts again: >slow groover< is as light-footed as muhammad ali at his best: always on its toes, full of grace, and with surprising and powerful left-right punch combinations that often end up in a clinch. and with resounding applause, a technically ambitious two-round fight is over, and there are no losers, only winners. so, raise your fist, get your boxing belt on, and meet you on the dance floor…

lowriders remains true to form, keeping it skewed, crooked, and freaky as hell, in their latest limited edition compilation. the power shuffles ep compiles seven of the most forward thinking juke/footwork inspired tunes from all over the planet, into one vicious slab of vinyl goodness. created with a root in the chi town sound, but operating somewhere within the fringe between genres, this album delivers a hyper fusion of style.
7 tracks in total on a limited handnumbered vinyl, including silkscreened cover!

candy land is dj pi-ges first solo release from arpa records. it follows on from his previous collaboration with mathias kaden as unit mathi midori& pi-ge who released the konomama ep on raummusik the ep gained critical acclaim, especially for the inspiring remixes by reboot and maayan nidam. “candy land( original mix) - track one is a minimal track structured with profound bass, crunchy guitar samples and simple rhythm, peppered with minimalistic voice samples, it features a high impact breakdown. on the track 2 is a remix by christian burkhardt, one of the most remarkable producers at the moment and his tracks have been released various leading labels such as raum…musik, oslo, and cocoon to name a few. his remix fuses the characters of the original track with a unique new school rhythm and groove. on the 3rd track is deep and dark remix by dj sodeyama, label honcho of arpa records. this remix form an extended journey of over 10mins with a deep and dark introduction thats combined with experimental sounds as the track builds. all in all a great package for djs of deep house, tech house and techno.

vinyl only! synths glittering through the night are pierced by metallic percussion and crushed by bass frequencies from a deep abyss! many times have ricardo esposito and micheal nadjé demonstrated their tight dj skills all over europe and now these two brothers have stepped up their game yet again to craft two tracks in a most simple and efficient way that only early chi house is capable of. claps, toms and tambourines rushing fiercely through arped hooks bring back that 87 feeling! the flip transports us back to the present day in the form of two remixes, but wont betray the a-sides spirit. for b1 john spring trades arpeggios for chords and introduces a thump you will surely be able to feel on the floor. kyle, on the other hand, hooks up his analog gear and pulls out synth lines that will get everyone on the dance floor dizzy – but only until the bass line crushes their chests.

in just one short year coyote cuts has brought you a consistant stream of heavy hitting eps from artists all over the globe. this year for wmc we are back at it again with a slurry of digital releases (15 in total) all dropping within the two months leading up to the conference. in addition we bring you a very special release we have been waiting to drop by our very own corduroy mavericks. included is a great remix by the australian duo the house inspectors of the swingy single >dont ask me<. the b side gives a deeper jazzier side of the c. mavs boys with rainsong and bongo king. all will get plenty of use.
pressing ltd to 200 copies.

gerardo frisina goes back to the roots of the sound which has made him famous worldwide: the latin sound of classics like >descarga< or >the latin kick< (both previously released on schema). >moderno primitivo< is an ep about the encounter of the ancient afro-cuban tradition (the core of frisinas artistic dna) with a refined electronic taste. this component enriches drums and percussions and gives more edge to the whole production with details like pads and effects. in >moderno primitivo< the latin ensemble headed by frisina takes us into a jam session where percussions, piano and trombone play happily. the latin house mix is a club version where the rhythmic element and the groove take control of the mix. the melody is broken and a hammond plays over a ostinato bass. the flavour is definitely tribal. >cogele el ritmo< is a trip into frisinas latin world. slower than >moderno primitivo<, still has a solid hook to the dance-floor and is a triumph of joy and colour.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

positioned as lesser-known little brother to adam beyers globally renowned drumcode brand, truesoul has to varying extent existed in the shadows since its conception in 2002. never designed to be a label that you could set your watch by, releases have come sporadically over the past nine years,albeit when they have come they have always made an impact.

having lain out it s darkened techno vision with the epic and enthralling inertia compilation over the last few months, delsin s little sister, ann aimee, is back. back with another bang, this time from mysterious vault series associate sawlin who drops four cuts of grainy, scratchy sounds with his techno dumping ep.

title track -dust- launches the ep into an immediately throbbing groove, rung through with the dissonant clangs of the genre s cold, machine-obsessed heritage. this hydraulic homage is succeeded by -overshadow- —a closer inspection of techno s cogs and wheels that sees volkov tinkering with its parts over 9 minutes of cumulative atmospherics. endless—the new collaboration between alistair wells aka perc and giorgio gili, based on speedy j s electric deluxe label—offers a hypnotic remix from their pooled influences of brian eno, byetone, robert henke, irdial and ifach. here volkov s dark and growling slow-burner is stepped up into an octane workout, dressed with gili s minimalistic traits and seasoned with a spot of perc-style abrasiveness. -corner- is dust ep s provocative closer. driven by anxious, incessant hats and syncopated hisses it uses suspended melodic morsels to work itself into a beguiling anti-climax that leaves you begging for more.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

after a break of over a year while he concentrated on his debut album >smoke & mirrors< for drumcode, ben sims theory label returns to celebrate the 40th release with a stormer featuring remixes from 3 of the finest techno names around (robert hood, rolando and skudge). the title track >slow motion< was included on marcel fenglers recent ostgut ton mix cd and has been in huge demand ever since plus there is the brand new sims cut >new blood< to complete the package.
early dj support: ben klock, marcel dettmann, adam beyer, dave clarke, joris voorn, marcel fengler, oscar mulero, rolando, robert hood, ben sims + more.

after a break of over a year while he concentrated on his debut album >smoke & mirrors< for drumcode, ben sims theory label returns to celebrate the 40th release with a stormer featuring remixes from 3 of the finest techno names around (robert hood, rolando and skudge). the title track slow motionwas included on marcel fenglers recent ostgut ton mix cd and has been in huge demand ever since plus theres brand new sims cuts >straight from bolivia< and >new blood< to complete the package. early dj support: ben klock, marcel dettmann, adam beyer, dave clarke, joris voorn, marcel fengler, oscar mulero, rolando, robert hood, ben sims + more

following a 12 inch for doc daneekas tty, presk returns home to deliver his second 12 inch for fourth wave. delivering his most progressive and unique work yet, presks latest injects some fun into his synth-heavy sound, while deftly swerving the moodiness of his future-techno contemporaries. >hesitate / kook< marks the first release in 2012 for what promises to be another ridiculous year for new label fourth wave – an upcoming 12 inch from newcomer felix lenferink, and man of the moment gerry reds debut album are all set for release over the next few months.

having announced the expansion of the vibes & pepper brand into record label ownership in consummate style with a timely reissue of the seminal claude young & terrence parker ep the 4 play, the parisian operation now is proud to present the new school of bumping house talent in the shape of tomska. the belgian producer has been steadily cutting his production teeth over recent times, with a few select remixes and releases that showcase his love for the sounds of chicago and detroit, something that is explored with aplomb on the four track mental raw ep. from the opening bars of >lets get it on< tomska shows undeniable ease for combining emotive melodies with a crisp and contemporary treatment of rhythms, with the snapping >everynight< a particular highlight.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

feadz and kito met in 2008 at a music festival in australia and bonded instantly over their passion for music and music production. the pair kept in contact over the years and met up a number of times when they found themselves in the same city. in 2011 feadz invited kito to visit him in paris to work on some music. after a week in the studio an exciting new project was born, a project that celebrates their mutual love for techno music

coloured vinyl edition! amazing masterpiece by pawas! this album is an unreleased discography which includes tracks and sketches from his early years, some of which were specially saved for this album and some new sketches. the tracks also distinctly portray inspirations from many great artists which have influenced him over the years. the track names represent his journey through a spiritual world, which was, is and will be a huge part of his life.

coloured vinyl edition! amazing masterpiece by pawas! this album is an unreleased discography which includes tracks and sketches from his early years, some of which were specially saved for this album and some new sketches. the tracks also distinctly portray inspirations from many great artists which have influenced him over the years. the track names represent his journey through a spiritual world, which was, is and will be a huge part of his life.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

bill youngman has become one of the most important parts of the killekill family. his new record displays his wide range of interests: from dark techno in shadent he crosses over to drone monster alert in wespe to his very own style of melodic electro in centrumcircuit. about bill youngman: scandinavia, tresor, null etc., bill has from day one been producing a lot of excellent other stuff. for exam- ple, he released one album of the finest electronica on depth charge’s dc recordings under the alias audible, several great eps of electro on serotonin and recently remixed jamie lidell in a rather techy dubstep style for warp. bill doesnt follow trends and dislikes being categorized into one stale genre and so perfectly fits into the killekill master plan. expect several eps from him on killekill in the future. bill will furthermore attempt to push the threshold of modern electronic music production.

part 2 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

part 1 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

ostgut ton launches a sublabel that will feature remixes of tracks that have been released on the motherlabel ostgut ton, unterton will also release other ostgut ton related or befriended artists and one-off projects. the releases are presented as stamped white labels with track details only. tobias. makes the start of the remix series with two of the tracks from his >leaning over backwards< album, the a-side sees efdemin remixing the title track >leaning over backwards< and on the b-side ricardo villalobos and max loderbauer give >girts< the remix treatment.